The tension for desire and conflict
Just as writing creates a sentence that conveys its meaning through a language combination and a sentence consisting of a sentence creates
a story, the picture also speaks its inner self in a visualized language, forming and combining image maps.
It is about the basic desires and desires inherent in humans (the desire to take what they want) and the emotions and psychological states
that change due to conflicts, dramatic tension, and situations in which external or internal pressures that subdue them are confronted.
Everyone may have a degree of difference, but they have a desire to have something, and they affect the perception of a third party depending
on whether they express it or not. The purpose of this work was to express it indirectly, so that viewer could look into his or her own
psychology, from recognizing only symbolic objects themselves to indirectly.
The reason I chose flowers among many images was because I thought they were most appropriate as a symbol of something that would be taken
and lost at the same time. The pursuit of self-interest is nothing more than selfish greed for the batter. The euphoria that occurs as soon
as it is acquired is moved on a plate where regret and loss of what is becoming lost coexist. The image in this painting is that ‘Stuffed
the moment(keeping the moment)’.
Place flowers on a plate, and place the utensils together, perceived to be like a human physiological desire to take them, and they are
sometimes expressed as a flower-threatening object, or as a means and method to take them. The intention of a graceful, serene, and
desolate atmosphere is to wrap it up so that it does not fully reveal its desires with human dignity and pretentious politeness, and
to express it as a ‘glorified image’ that does not directly reveal how to take it.
Yoon Young Hye